TY - JOUR
T1 - A role of multi-modal rhythms in physical interaction and cooperation
AU - Yonekura, Kenta
AU - Kim, Chyon Hae
AU - Nakadai, Kazuhiro
AU - Tsujino, Hiroshi
AU - Sugano, Shigeki
PY - 2012
Y1 - 2012
N2 - As fundamental research for human-robot interaction, this paper addresses the rhythmic reference of a human while turning a rope with another human. We hypothyzed that when interpreting rhythm cues to make a rhythm reference, humans will use auditory and force rhythms more than visual ones. We examined 21-23 years old test subjects. We masked perception of each test subject using 3 kinds of masks, an eye-mask, headphones, and a force mask. The force mask is composed of a robot arm and a remote controller. These instruments allow a test subject to turn a rope without feeling force from the rope. In the first experiment, each test subject interacted with an operator that turned a rope with a constant rhythm. 8 experiments were conducted for each test subject that wore combinations of masks. We measured the angular velocity of force between a test subject/the operator and a rope. We calculated error between the angular velocities of the force directions, and validated the error. In the second experiment, two test subjects interacted with each other. 1.6 - 2.4 Hz auditory rhythm was presented from headphones so as to inform target turning frequency. Addition to the auditory rhythm, the test subjects wore eye-masks. The first experiment showed that visual rhythm has little influence on rope-turning cooperation between humans. The second experiment provided firmer evidence for the same hypothesis because humans neglected their visual rhythms.
AB - As fundamental research for human-robot interaction, this paper addresses the rhythmic reference of a human while turning a rope with another human. We hypothyzed that when interpreting rhythm cues to make a rhythm reference, humans will use auditory and force rhythms more than visual ones. We examined 21-23 years old test subjects. We masked perception of each test subject using 3 kinds of masks, an eye-mask, headphones, and a force mask. The force mask is composed of a robot arm and a remote controller. These instruments allow a test subject to turn a rope without feeling force from the rope. In the first experiment, each test subject interacted with an operator that turned a rope with a constant rhythm. 8 experiments were conducted for each test subject that wore combinations of masks. We measured the angular velocity of force between a test subject/the operator and a rope. We calculated error between the angular velocities of the force directions, and validated the error. In the second experiment, two test subjects interacted with each other. 1.6 - 2.4 Hz auditory rhythm was presented from headphones so as to inform target turning frequency. Addition to the auditory rhythm, the test subjects wore eye-masks. The first experiment showed that visual rhythm has little influence on rope-turning cooperation between humans. The second experiment provided firmer evidence for the same hypothesis because humans neglected their visual rhythms.
UR - http://www.scopus.com/inward/record.url?scp=84873803156&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84873803156&partnerID=8YFLogxK
U2 - 10.1186/1687-4722-2012-12
DO - 10.1186/1687-4722-2012-12
M3 - Article
AN - SCOPUS:84873803156
SN - 1687-4714
VL - 2012
JO - Eurasip Journal on Audio, Speech, and Music Processing
JF - Eurasip Journal on Audio, Speech, and Music Processing
IS - 1
M1 - 12
ER -