TY - JOUR
T1 - Covert digital manipulation of vocal emotion alter speakers' emotional states in a congruent direction
AU - Aucouturier, Jean Julien
AU - Johansson, Petter
AU - Hall, Lars
AU - Segnini, Rodrigo
AU - Mercadié, Lolita
AU - Watanabe, Katsumi
N1 - Funding Information:
J.-J.A. acknowledges the assistance of M. Liuni and L. Rachman [Institut de Recherche et Coordination en Acoustique et Musique (IRCAM)], who developed the software used in experiment 2, and H. Trad (IRCAM), who helped with data collection. Data in experiment 2 was collected at the Centre Multidisciplinaire des Sciences Comportementales Sorbonne Universités-Institut Européen d''Administration des Affaires (INSEAD). All data reported in the paper are available on request. The work was funded, in Japan, by two Postdoctoral Fellowships for Foreign Researchers to the Japanese Society for the Promotion of Science (JSPS; to J.-J.A. and P.J.), the Japanese Science and Technology (JST) ERATO Implicit Brain Function Project (R.S. and K.W.), and a JST CREST Project (K.W.). Work in France was partly funded by European Research Council Grant StG-335536 CREAM (to J.-J.A.) and the Foundation of the Association de Prévoyance Interprofessionnelle des Cadres et Ingénieurs de la région Lyonnaise (APICIL; L.M.). In Sweden, P.J. was supported by the Bank of Sweden Tercentenary Foundation and Swedish Research Council Grant 2014-1371, and L.H. was supported by Bank of Sweden Tercentenary Foundation Grant P13-1059:1 and Swedish Research Council Grant 2011-1795.
PY - 2016/1/26
Y1 - 2016/1/26
N2 - Research has shown that people often exert control over their emotions. By modulating expressions, reappraising feelings, and redirecting attention, they can regulate their emotional experience. These findings have contributed to a blurring of the traditional boundaries between cognitive and emotional processes, and it has been suggested that emotional signals are produced in a goaldirected way and monitored for errors like other intentional actions. However, this interesting possibility has never been experimentally tested. To this end, we created a digital audio platform to covertly modify the emotional tone of participants' voices while they talked in the direction of happiness, sadness, or fear. The result showed that the audio transformations were being perceived as natural examples of the intended emotions, but the great majority of the participants, nevertheless, remained unaware that their own voices were being manipulated. This finding indicates that people are not continuously monitoring their own voice to make sure that it meets a predetermined emotional target. Instead, as a consequence of listening to their altered voices, the emotional state of the participants changed in congruence with the emotion portrayed, which was measured by both self-report and skin conductance level. This change is the first evidence, to our knowledge, of peripheral feedback effects on emotional experience in the auditory domain. As such, our result reinforces the wider framework of self-perception theory: that we often use the same inferential strategies to understand ourselves as those that we use to understand others.
AB - Research has shown that people often exert control over their emotions. By modulating expressions, reappraising feelings, and redirecting attention, they can regulate their emotional experience. These findings have contributed to a blurring of the traditional boundaries between cognitive and emotional processes, and it has been suggested that emotional signals are produced in a goaldirected way and monitored for errors like other intentional actions. However, this interesting possibility has never been experimentally tested. To this end, we created a digital audio platform to covertly modify the emotional tone of participants' voices while they talked in the direction of happiness, sadness, or fear. The result showed that the audio transformations were being perceived as natural examples of the intended emotions, but the great majority of the participants, nevertheless, remained unaware that their own voices were being manipulated. This finding indicates that people are not continuously monitoring their own voice to make sure that it meets a predetermined emotional target. Instead, as a consequence of listening to their altered voices, the emotional state of the participants changed in congruence with the emotion portrayed, which was measured by both self-report and skin conductance level. This change is the first evidence, to our knowledge, of peripheral feedback effects on emotional experience in the auditory domain. As such, our result reinforces the wider framework of self-perception theory: that we often use the same inferential strategies to understand ourselves as those that we use to understand others.
KW - Digital audio effects
KW - Emotion monitoring
KW - Self-perception
KW - Vocal feedback
KW - Voice emotion
UR - http://www.scopus.com/inward/record.url?scp=84955494222&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84955494222&partnerID=8YFLogxK
U2 - 10.1073/pnas.1506552113
DO - 10.1073/pnas.1506552113
M3 - Article
C2 - 26755584
AN - SCOPUS:84955494222
SN - 0027-8424
VL - 113
SP - 948
EP - 953
JO - Proceedings of the National Academy of Sciences of the United States of America
JF - Proceedings of the National Academy of Sciences of the United States of America
IS - 4
ER -