Abstract
In the second half of the 12th century, the artistic relationship between Genoa and the western part of Emilia (such as Fidenza, Parma, Fornova, Chiaravalle della Colomba, and Fontevivo), especially that involving the Magistri Antelami and Benedetto Antelami, was far more intense than has been supposed until now. A part of this phenomenon can be explained by the determined presence of the descendants of Obetenghi lineage, in particular the Pallavicino family. In this artistic circumstance, the Cistercians, who sometimes collaborated with the Magistri Antelami, played a remarkable role.
| Translated title of the contribution | Genoa and western Emilia in the second half of the 12th century: Magistri Antelami and the Cistercians |
|---|---|
| Original language | Italian |
| Pages (from-to) | 506-513 |
| Number of pages | 8 |
| Journal | Hortus Artium Mediaevalium |
| Volume | 25 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 2019 |
Keywords
- Benedetto Antelami
- Castione Marchesi
- Chiaravalle della Colomba in Piacentino
- Cistercensi
- Cloister of Sant’Andrea della Porta
- Commenda di Pré
- Fidenza Cathedral
- Fontevivo
- Fornovo di Taro
- Genoa Cathedral
- Imperial Palace of Barbarossa in Parma
- Magisteri Antelami
- San Giovanni di Pré
- Santa Maria di Castello
ASJC Scopus subject areas
- Visual Arts and Performing Arts
- History