This introduction situates Akasegawa Genpei's text "The Objet after Stalin" and the events surrounding his reproduction of the 1,000-yen note in the art-historical and political context of Japan's postwar avant-gardes. It explores Akasegawa's conception of the objet both in terms of its lineage within the history of Surrealism and its reception in Japan and of Akasegawa's original theoretical claims concerning the political potential of artistic practice.
|Number of pages||12|
|Publication status||Published - 2015 Jan 1|
- 1,000-Yen Note Trial
- Akasegawa Genpei
ASJC Scopus subject areas
- Cultural Studies
- Visual Arts and Performing Arts