抄録
Interactions between men and machines increasingly tend towards interactive, or even collaborative, experiences. We explore the emergence of creativity in man-machine musical interaction. Participants in collaborative musical ensembles should exhibit their own unique musical individuality. We propose a system that acquires musical individuality by listening to rhythmic interaction between human performers and learns bidirectional rhythm association. This association mechanism allows the system to not only generate a suitable rhythm that compliments a performer's rhythm, but also suggest to the performer an alternative rhythm that it deems preferential. The system's musical individuality originates from its listening experience and is generally different to that of the performer's. In this manner, creative and harmonious rhythms can emerge from musical interactions between the performer and the system. The system was implemented so as to interact with a human partner using typical percussion instruments, in real time. Experimentation shows that the system can identify rhythm, play along with human performers, and inject dynamic rhythm changes such that musical creativity emerges.
本文言語 | English |
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ホスト出版物のタイトル | Proceedings of the 3rd IASTED International Conference on Human-Computer Interaction, HCI 2008 |
ページ | 80-86 |
ページ数 | 7 |
出版ステータス | Published - 2008 |
イベント | 3rd IASTED International Conference on Human-Computer Interaction, HCI 2008 - Innsbruck 継続期間: 2008 3月 17 → 2008 3月 19 |
Other
Other | 3rd IASTED International Conference on Human-Computer Interaction, HCI 2008 |
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City | Innsbruck |
Period | 08/3/17 → 08/3/19 |
ASJC Scopus subject areas
- 人間とコンピュータの相互作用
- ソフトウェア