TY - GEN
T1 - Implementation of an overblowing correction controller and the proposal of a quantitative assessment of the sound's pitch for the anthropomorphic saxophonist robot WAS-2
AU - Solis, Jorge
AU - Petersen, Klaus
AU - Yamamoto, Tetsuro
AU - Takeuchi, Masaki
AU - Ishikawa, Shimpei
AU - Takanishi, Atsuo
AU - Hashimoto, Kunimatsu
PY - 2010
Y1 - 2010
N2 - Since 2007, our research is related to the development of an anthropomorphic saxophonist robot, which it has been designed to imitate the saxophonist playing by mechanically reproducing the organs involved for playing a saxophone. Our research aims in understanding the motor control from an engineering point of view and enabling the communication. In a previous paper, the Waseda Saxophone Robot No. 2 (WAS-2) which is composed by 22-DOFs has been presented. Moreover, a feedback error learning with dead time compensation has been implemented to control the air pressure of the robot. However, such a controller couldn't deal with the overblowing effects (unsteady tones) that are found during a musical performance. Therefore; in this paper, the implementation of an Overblowing Correction Controller (OCC) has been proposed and implemented in order to assure the steady tone during the performance by using the pitch feedback signal to detect the overblowing condition and by defining a recovery position (off-line) to correct it. Moreover, a saxophone sound evaluation function (sustain phase) has been proposed to compare the sound produced by human players and the robot. A set of experiments were carried out to verify the improvements on the musical performance of the robot and its sound has been quantitatively compared with human saxophonists. From the experimental results, we could observe improvements on the pitch (correctness) and tone stability.
AB - Since 2007, our research is related to the development of an anthropomorphic saxophonist robot, which it has been designed to imitate the saxophonist playing by mechanically reproducing the organs involved for playing a saxophone. Our research aims in understanding the motor control from an engineering point of view and enabling the communication. In a previous paper, the Waseda Saxophone Robot No. 2 (WAS-2) which is composed by 22-DOFs has been presented. Moreover, a feedback error learning with dead time compensation has been implemented to control the air pressure of the robot. However, such a controller couldn't deal with the overblowing effects (unsteady tones) that are found during a musical performance. Therefore; in this paper, the implementation of an Overblowing Correction Controller (OCC) has been proposed and implemented in order to assure the steady tone during the performance by using the pitch feedback signal to detect the overblowing condition and by defining a recovery position (off-line) to correct it. Moreover, a saxophone sound evaluation function (sustain phase) has been proposed to compare the sound produced by human players and the robot. A set of experiments were carried out to verify the improvements on the musical performance of the robot and its sound has been quantitatively compared with human saxophonists. From the experimental results, we could observe improvements on the pitch (correctness) and tone stability.
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U2 - 10.1109/IROS.2010.5649257
DO - 10.1109/IROS.2010.5649257
M3 - Conference contribution
AN - SCOPUS:78651471227
SN - 9781424466757
T3 - IEEE/RSJ 2010 International Conference on Intelligent Robots and Systems, IROS 2010 - Conference Proceedings
SP - 1943
EP - 1948
BT - IEEE/RSJ 2010 International Conference on Intelligent Robots and Systems, IROS 2010 - Conference Proceedings
T2 - 23rd IEEE/RSJ 2010 International Conference on Intelligent Robots and Systems, IROS 2010
Y2 - 18 October 2010 through 22 October 2010
ER -