TY - GEN
T1 - Initialization-robust multipitch estimation based on latent harmonic allocation using overtone corpus
AU - Sakaue, Daichi
AU - Itoyama, Katsutoshi
AU - Ogata, Tetsuya
AU - Okuno, Hiroshi G.
PY - 2012/10/23
Y1 - 2012/10/23
N2 - We present a new method for modeling the overtone structures of musical instruments that uses an overtone corpus generated using a MIDI synthesizer. Since multipitch estimation requires a joint estimation of F0's and their overtone structures, one of the most important problems is the overtone structure modeling. Latent harmonic allocation (LHA), a promising multipitch estimation method, is difficult to use for various applications because it requires appropriate prior distributions of the overtone structures, which cannot be determined from statistical evidence. Our method uses an overtone corpus to avoid the problem of setting prior distributions and instead restricts the lower and upper bounds of each overtone weight. The bounds are determined from reference signals generated by a MIDI synthesizer. Experimental results demonstrated that the overtone structures were stably and accurately estimated for a wide variety of initial settings.
AB - We present a new method for modeling the overtone structures of musical instruments that uses an overtone corpus generated using a MIDI synthesizer. Since multipitch estimation requires a joint estimation of F0's and their overtone structures, one of the most important problems is the overtone structure modeling. Latent harmonic allocation (LHA), a promising multipitch estimation method, is difficult to use for various applications because it requires appropriate prior distributions of the overtone structures, which cannot be determined from statistical evidence. Our method uses an overtone corpus to avoid the problem of setting prior distributions and instead restricts the lower and upper bounds of each overtone weight. The bounds are determined from reference signals generated by a MIDI synthesizer. Experimental results demonstrated that the overtone structures were stably and accurately estimated for a wide variety of initial settings.
KW - Multipitch estimation
KW - harmonic clustering
KW - musical instrument sounds
KW - overtone estimation
UR - http://www.scopus.com/inward/record.url?scp=84867585341&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84867585341&partnerID=8YFLogxK
U2 - 10.1109/ICASSP.2012.6287907
DO - 10.1109/ICASSP.2012.6287907
M3 - Conference contribution
AN - SCOPUS:84867585341
SN - 9781467300469
T3 - ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings
SP - 425
EP - 428
BT - 2012 IEEE International Conference on Acoustics, Speech, and Signal Processing, ICASSP 2012 - Proceedings
T2 - 2012 IEEE International Conference on Acoustics, Speech, and Signal Processing, ICASSP 2012
Y2 - 25 March 2012 through 30 March 2012
ER -