Reflecting upon Freedom with Meiro Koizumi

Shintaro Fujii*

*この研究の対応する著者

研究成果: Chapter

抄録

This chapter discusses the aesthetic, conceptual, and political stakes of Rite for a Dream – Today My Empire Sings, a video installation work by Meiro Koizumi. It was filmed on public streets in Tokyo, especially during a public demonstration where (visible) counter-demonstrators verbally threaten the (invisible) demonstrators. The audience will eventually understand that the demonstration is by the Japanese republicans demanding the abolishment of the Emperor system, who are surrounded by the policemen and the nationalist counter-demonstrators. There is also a fictional and performative narrative about the abduction/expulsion of the (invisible) father of the principal character (visible), performed by a young professional male actor. This overlaps the quasi-documentary video images and makes it possible to interpret this work in light of pharmakos. The work remains somewhat enigmatic, playing with visibility and invisibility, presence and absence, public and private, because the artist wishes to activate the imagination of the viewers by deliberately missing out some key elements and, in so doing, invites them to reflect upon the state of democracy in Japan, and of freedom of expression in particular, which is often suffocated in the country in the name of political neutrality.

本文言語English
ホスト出版物のタイトルThe Routledge Companion to Theatre and Politics
出版社Taylor and Francis
ページ72-76
ページ数5
ISBN(電子版)9781351399128
ISBN(印刷版)9781138303485
DOI
出版ステータスPublished - 2019 1月 1

ASJC Scopus subject areas

  • 芸術および人文科学一般
  • 社会科学一般

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