TY - GEN
T1 - Robot musical accompaniment
T2 - 23rd IEEE/RSJ 2010 International Conference on Intelligent Robots and Systems, IROS 2010
AU - Lim, Angelica
AU - Mizumoto, Takeshi
AU - Cahier, Louis Kenzo
AU - Otsuka, Takuma
AU - Takahashi, Toru
AU - Komatani, Kazunori
AU - Ogata, Tetsuya
AU - Okuno, Hiroshi G.
PY - 2010
Y1 - 2010
N2 - Musicians often have the following problem: they have a music score that requires 2 or more players, but they have no one with whom to practice. So far, score-playing music robots exist, but they lack adaptive abilities to synchronize with fellow players' tempo variations. In other words, if the human speeds up their play, the robot should also increase its speed. However, computer accompaniment systems allow exactly this kind of adaptive ability. We present a first step towards giving these accompaniment abilities to a music robot. We introduce a new paradigm of beat tracking using 2 types of sensory input - visual and audio - using our own visual cue recognition system and state-of-the-art acoustic onset detection techniques. Preliminary experiments suggest that by coupling these two modalities, a robot accompanist can start and stop a performance in synchrony with a flutist, and detect tempo changes within half a second.
AB - Musicians often have the following problem: they have a music score that requires 2 or more players, but they have no one with whom to practice. So far, score-playing music robots exist, but they lack adaptive abilities to synchronize with fellow players' tempo variations. In other words, if the human speeds up their play, the robot should also increase its speed. However, computer accompaniment systems allow exactly this kind of adaptive ability. We present a first step towards giving these accompaniment abilities to a music robot. We introduce a new paradigm of beat tracking using 2 types of sensory input - visual and audio - using our own visual cue recognition system and state-of-the-art acoustic onset detection techniques. Preliminary experiments suggest that by coupling these two modalities, a robot accompanist can start and stop a performance in synchrony with a flutist, and detect tempo changes within half a second.
UR - http://www.scopus.com/inward/record.url?scp=78651475255&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=78651475255&partnerID=8YFLogxK
U2 - 10.1109/IROS.2010.5650427
DO - 10.1109/IROS.2010.5650427
M3 - Conference contribution
AN - SCOPUS:78651475255
SN - 9781424466757
T3 - IEEE/RSJ 2010 International Conference on Intelligent Robots and Systems, IROS 2010 - Conference Proceedings
SP - 1964
EP - 1969
BT - IEEE/RSJ 2010 International Conference on Intelligent Robots and Systems, IROS 2010 - Conference Proceedings
Y2 - 18 October 2010 through 22 October 2010
ER -